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・ The Go-Go's (British band)
・ The Go-Go's discography
・ The Go-Katz
・ The Goa Inquisition
・ The Goal (novel)
・ The Goal Rush
・ The Goaldiggers Song
・ The Goalie's Anxiety at the Penalty Kick
・ The Goalkeeper's Fear of the Penalty
・ The Goat (1917 film)
・ The Goat (1918 film)
・ The Goat (1921 film)
・ The Goat (album)
・ The Goat (How I Met Your Mother)
・ The Goat / The Bells Have Stopped Ringing
The Goat Amalthea with the Infant Jupiter and a Faun
・ The Goat and Her Three Kids
・ The Goat and the Vine
・ The Goat Girl
・ The Goat Horn
・ The Goat of Mendes
・ The Goat Puzzle
・ The Goat Rodeo Sessions
・ The Goat's Ears of the Emperor Trojan
・ The Goat, or Who Is Sylvia?
・ The Goat, the Sofa, and Mr. Swami
・ The Goat-Faced Girl
・ The Goats
・ The Gobbins
・ The Gobbler


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The Goat Amalthea with the Infant Jupiter and a Faun : ウィキペディア英語版
The Goat Amalthea with the Infant Jupiter and a Faun

''The Goat Amalthea with the Infant Jupiter and a Faun'' is the earliest known work by the Italian artist Gian Lorenzo Bernini. Produced sometime between 1609 and 1615,〔Wittkower 1955, p. 231.〕〔Mormando 2011, p. 29.〕〔Avery 1997, p. 19.〕 the sculpture is now in the Borghese Collection at the Galleria Borghese in Rome.
==Background==
According to Filippo Baldinucci, even before Pietro Bernini moved his family from Naples to Rome, eight-year-old Gian Lorenzo created a "small marble head of a child that was the marvel of everyone".〔Baldinucci 2006, p. 8.〕 Throughout his teenage years, he produced numerous images containing ''putti'', chubby male children usually nude and sometimes winged. Distinct from cherubim, who represent the second order of angels, these ''putti'' figures were secular and presented a non-religious passion.〔Dempsey 2000, pp. 3–4.〕 Of the three surviving marble groups of ''putti'' that can be attributed to Bernini, ''The Goat Amalthea with the Infant Jupiter and a Faun'' is the only one that is approximately dateable. In 1615, a carpenter was paid for providing a wooden pedestal for the sculpture group.〔 Some writers date the work as early as 1609, based on stylistic grounds and an interpretation of the 1615 pedestal invoice indicating that the base was a replacement.〔〔

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